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Native Art of the Northwest Coast, A History of Changing Ideas. Edited by Charlotte Townsend-Gault, Jennifer Kramer, and Ki-Ke-In. - Washington State Historical Society

Native Art of the Northwest Coast, A History of Changing Ideas. Edited by Charlotte Townsend-Gault, Jennifer Kramer, and Ki-Ke-In.

  • 19995


Native Art of the Northwest Coast, A History of Changing Ideas. Edited by Charlotte Townsend-Gault, Jennifer Kramer, and Ki-Ke-In.

"A survey of the history of ideas and arguments that have shaped and disputed Northwest Coast Native art for more than 250 years.

Contributors include leading Indigenous and non-Indigenous historians, art historians, anthropologists, legal experts, artists, an holders of traditional Indigenous knowledge. 

Richly illustrated with black-and-white figures and colour plates.

A significant resource for scholars and students in a variety of disciplines that will also resonate with a wide international readership.

The Northwest Coast of North America has long been recognized as one of the world's canonical art zones. Since the mid-1700s, objects or "art" deriving from the Indigenous cultures of this area have been desired, displayed, and exchanged, classified and interpreted, stolen and confiscated, bought and sold, and displayed again in many parts of the world. "Northwest Coast Native art" has proved to be a powerful idea, assuming many guises over the centuries. But how has it been defined, and by whom and why?

This remarkable volume, many years in the making, records and scrutinizes definitions of Northwest Coast Native art and its boundaries. A work of critical historiography, it makes accessible for the first time in one place a broad selection of more than 250 years of writing on Northwest Coast "art." Organized thematically, its excerpted texts are from both published and unpublished sources, some not previously available in English. They cover such complex topics as the clash between oral and written knowledge, trans-cultural entanglement, the influence of surrealist thinking, and the long history of the deployment of Northwest Coast Native art for nationalist purposes. The selections are preceded by thought-provoking introductions that give historical context to the diverse intellectual traditions that have influenced, stimulated, and opposed each other.

The central importance of this book is that it counters the tendency to turn Northwest Coast Native "art" into a one-dimensional spectacle that obscures and reduces the values of its component cultures and ignores the wider histories of thought that have contributed to its productions. In unsettling the conventions that have shaped "the idea of Northwest Coast Native art," this book takes a central place in the lively, often heated, and now global, debates about what constitutes Native art and who should decide." 


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